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Inspired by PEM – Member Show at Salem Arts Association Gallery

Salem Arts Association opens a new exhibition gallery space at Pickering Wharf which is themed "Inspired by PEM," reflecting the Peabody Essex Museum's exhibit, “OnThis Ground: Being and Belonging in America.”

PEM has brought collections of Native American and American art together for the first time in its history. This installation celebrates artistic achievements across time, space, and worldviews, exploring how art can help us understand this place we call America.

Artists were encouraged to respond to this broad and rich exhibit of artwork, crafts, antiques and tableaus, representing a wide swath of American culture. 

  • Opening Reception: Friday June 19, 2026 6:00 - 8:00 PM
  • Exhibit Dates: Saturday June 20 – Saturday July 25, 2026

Peabody Essex Museum logo

 The 2026 exhibition season is generously sponsored by the Peabody Essex Museum 



Our Guest Jurors:  


Karen Kramer is The Stuart W. and Elizabeth F. Pratt Curator of Native American and Oceanic Art and Culture at the Peabody Essex Museum (PEM). Her work has shaped PEM's ambitious program in Indigenous art, including curating the nationally touring exhibitions T.C. Cannon: At the Edge of America and Native Fashion Now, and the paradigm-shifting Shapeshifting: Transformations in Native American Art. She co-curated On This Ground: Being and Belonging in America, which opened in 2022. She directed PEM's Native American Fellowship Program for eleven years and currently serves as Principal Advisor, providing training for rising Native leaders in museum and academic sectors. She served as President and board member of the Native American Art Studies Association (2003–2015) and worked on three inaugural exhibitions at the Smithsonian's National Museum of the American Indian. Kramer is a Ph.D. candidate in American Studies at Harvard University, where her dissertation examines how Native artists enact relationality, land-based literacy, survivance, and visual sovereignty in American public art from 1969 to the present.


Sarah Chasse is a specialist in American art and decorative arts with over 25 years of experience as a curator. She has worked with the Peabody Essex Museum’s (PEM) American collections since 2003. Most recently she curated the first presentation of the Pforzheimer collection of Studio Glass in the newly named Pforzheimer gallery at PEM. She co-curated On This Ground: Being and Belonging in America, PEM's groundbreaking installation of their renowned collections of Native American and American collections that opened in 2022 and won a Curatorial Award for Excellence from the Association of Art Museum Curators. At PEM she has contributed to numerous exhibitions and publications including Samuel McIntire, Carving an American Style; In Plain Sight: Discovering the Furniture of Nathaniel Gould; American Epics: Thomas Hart Benton and Hollywood; Ocean Liners: Glamour, Speed and Style; A Passion for American Art: Selections from the Carolyn and Peter Lynch Collection; and In American Waters: The Sea in American Painting. She earned her BA from Mount Holyoke College and an MA from the College of William and Mary. 


Awards



Shadow Of A Man 

by Daniel Breslin


This piece speaks beautifully to the foremost themes of place and identity in our installation On This Ground: Being and Belonging in America. The foreground recedes into the background and the two timeless human forms (reminiscent of ancient rock art paintings) dissolve into the land itself. Expertly composed, it asks us: do we shape place or does place shape us?



Before Remembering

by Angela Addonizio, Tutu


Sublime. Oh to be transported right into this foggy seascape—the artist achieves that instantly. The mood, much like the paint, is thick and chalky, yet somehow weightless. That lightness captivated us.



Keeping Salem Weir

by Russell Findley


What happens when 18th-century American decorative arts meet Native abstraction? This piece—and we can’t stop looking. The detail is remarkable, right down to the bamboo (gathered from PEM’s Axelrod walkway) that replaces the willow used in the original piece that inspired this. Fishing weirs and chairbacks: an unlikely pair we never knew belonged together.

 

Beyond The Label 

by Lata Ajdini


Figure, Becoming (Blue Study)

by Adria Boynton


Ossuary Dress

by James Bostick



Service as the price of a place—or it?

by Alessandra Donovan


Under The Cover Of Night 

by James Cennamo



Salem Arts Association
88 Wharf Street 
Salem, MA 01970  
Phone: 978-745-4850 
Email: info@SalemArts.org


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