Saints, Sinners, Lovers, and Fools - 19th Annual PEM Inspirational Exhibition
Inspired by PEM - Saints, Sinners, Lovers, and Fools: Our 19th Annual PEM Inspirational Exhibition invites artists to take inspiration from the PEM exhibition “ Saints, Sinners, Lovers, and Fools, on view at the Peabody Essex Museum through May 4, 2025.
From PEM: “Flemish painters from the 15th to 17th centuries created extraordinary works of art amid a period of political turmoil and unprecedented prosperity,” said Karina H. Corrigan, PEM’s Associate Director–Collections and the H. A. Crosby Forbes Curator of Asian Export Art, who serves as the coordinating curator of the exhibition at PEM. “Saints, Sinners, Lovers, and Fools will transport visitors to this remarkable time in history and consider the many ways Flemish art and culture has shaped the world we live in today.”
https://www.pem.org/exhibitions/saints-sinners-lovers-and-fools-300-years-of-flemish-masterworks
Important Dates:
Salem Arts Association Galleries, 159 Derby Street, Salem MA 01970
Contact gallery@salemarts.org with questions.
Call for Art
All local artists are invited to submit artwork for this exhibition that explores your inspirations and interpretations of the works in the PEM exhibit or general collections.
This exhibition is generously sponsored by the Peabody Essex Museum |
We are honored to announce our esteemed Guest Jurors for this exhibition:
Karina Corrigan: Associate Director–Collections and The H.A. Crosby Forbes Curator of Asian Export Art at the Peabody Essex Museum
Guest Juror: Karina Corrigan Karina Corrigan's interests center on the material culture of global connections. She serves as PEM's Associate Director–Collections and The H.A. Crosby Forbes Curator of Asian Export Art. In her curatorial practice she oversees the largest, most comprehensive public collection of art made in China, Japan and South Asia for export to other cultures. In her role as Associate Director–Collections, Corrigan explores new ways to celebrate the museum’s rich and storied collection by spearheading new research; enhancing access through increased documentation, digitization and display; and providing guidance for acquisitions. Corrigan lectures and publishes on many aspects of Asian Export art and has organized numerous exhibitions at PEM, including Power and Perspective: Early Photography in China; Japanomania! Japanese Art Goes Global; Asia in Amsterdam: The Culture of Luxury in the Golden Age, co-organized with the Rijksmuseum; Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection; and Taj Mahal, the Building of a Legend. She served as the coordinating curator at PEM for Saints, Sinners, Lovers and Fools: 300 Years of Flemish Masterworks in 2024. |
Awards
The Language of Flowers by Hope Carpenter
This seemingly natural arrangement of flowers is actually a carefully constructed bouquet, not unlike the many floral still life paintings in the exhibition Saints, Sinners, Lovers and Fools: 300 Years of Flemish Masterworks. The exquisitely formed paper flowers, hand painted to resemble rare botanical specimens, are works of art in their own right, but their riotous assemblage is ultimately more than their parts. I was particularly enchanted by the butterfly, whose vibrant wings have been stilled mid flap, the whimsical snail, and the note in Flemish below the vase. All of these elements combined to create a luscious three dimensional composition. - Karina H. Corrigan | A Wrinkle In Time - Banned Books Series by François-Xavier De Costerd
I was drawn to the deep colors and luminosity of this large scale painting in oil. The young girl, fully enveloped by the seemingly oversized chair, evokes both cosy childhood memories and an element of ambiguity with her obscured features. The artist’s rendering in paint of the textiles –the upholstered chair and the girl’s embroidered or patterned shorts – is especially beautiful. - Karina H. Corrigan | Forever With You - Stardust by François-Xavier De Costerd
I was enthralled by this enigmatic video work. Its subtle and trancelike soundtrack permeated through several of the gallery spaces in the exhibition, inviting me into the small space in which it was installed. Its changing geometries, bleeding color, and movement of images toward abstraction were captivating to watch. Like the many new genres of painting introduced in Flanders during the 17 th century – most notably landscape painting – this is an innovative and expansive work. - Karina H. Corrigan |
by Bobbie Bush | ![]() Green and Pink by Wendy Snow Lang | ![]()
Movement by Joey Higgins | ![]() Untitled Shadow Box by James Cennamo |