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Kirsten Fischler

Kirsten Fischler, LLC

www.kirstenfischler.com

 

Member profile details

Membership level
Artist (Masters Circle)
First Name
Kirsten
Last name
Fischler
Business/Organization Name
Kirsten Fischler, LLC
 

Personal information

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Kirsten Fischler
Directory listing text
Fischler has been employing the use of reclaimed/found wood in her work for over twenty five years. She juxtaposes natural elements with angular cuts and plays with the natural and manmade aspects of manufactured wood products as the centerpiece of her work.
 

Artist Info

Medium / Media
  • Painting / Drawing
  • Mixed Media / Assemblage
  • Photography
  • Wood
Artist Bio or Résumé
Kirsten Fischler. b.1966. West Chester, Pennsylvania; education: 1988, Bachelor of Fine Arts, Rhode Island School of Design, Providence, RI; (1987 European Honors Program, Rome, Italy); 1992 Master of Fine Arts, Pratt Institute, Brooklyn, NY.
Fischler has been exploring and pushing the limits of reclaimed wood as an art medium since 1993. Her fascination resides in the natural pattern of life that is marked by time in the rings of a tree. Her work honors both natural and manmade design elements found in post construction wood waste. Fischler enhances and defines the markers of life in both her representational and abstract work.
Artist Statement
I create; I destroy; I recreate.

My art represents the cycle of life. Life is filled with contradiction and irony, which often exist simultaneously. The part of duality I love is that opposites are inter-dependent. They remain in constant struggle, dancing, binding one to the other, yet always complimentary.

I often reuse the plywood I find in dumpsters, as well as recycle my own artwork within each piece. I choose discarded wood byproducts as my medium because it is available, it has physical presence, and it was once alive. I follow the patterns molded into the life of the species by water and other natural elements. Some of the patterns are man made. They act as a reminder of the times. The raw physical presence of the roughness and thickness of the wood, paired with the primitive color patterns, is my visceral response to a life filled with computer-based systems and virtual realities.

I embrace my imperfections because I am human. I have emotions that skew the perfect line or cut. I embrace Roman classicism versus Greek perfectionism. I gather leftovers of human consumption that are not always archival, but will most likely last centuries beyond us.

I work slowly, haphazardly as a creative person, not as an assembly line. I make attempts to create order through my art, but as in any live performance the tempo eventually slows as the tune continues. My rough, textured attempts at discipline contrast the digital, virtual world of perfection and streamlined utopia that is a dream more than a reality. I try to calculate using a binary system, but I still prefer my fingers and measure with my feet. I am a wild beast contained within a contemporary square.

Life is a process … so is art.
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